Dear Praise Band,
I so appreciate your willingness
and desire to offer up your gifts to God in worship. I appreciate your
devotion and celebrate your faithfulness--schlepping to church early,
Sunday after Sunday, making time for practice mid-week, learning and
writing new songs, and so much more. Like those skilled artists and
artisans that God used to create the tabernacle (Exodus 36), you are
willing to put your artistic gifts in service to the Triune God.
So please receive this little missive in the spirit it is meant: as an encouragement to reflect on the practice
of "leading worship." It seems to me that you are often simply
co-opted into a practice without being encouraged to reflect on its
rationale, its "reason why." In other words, it seems to me that you
are often recruited to "lead worship" without much opportunity to pause
and reflect on the nature of "worship" and what it would mean to "lead."
In particular, my concern is that we, the church, have unwittingly encouraged you to simply import musical practices into
Christian worship that--while they might be appropriate elsewhere--are
detrimental to congregational worship. More pointedly, using language I
first employed in Desiring the Kingdom, I sometimes worry that we've unwittingly encouraged you to import certain forms of performance that
are, in effect, "secular liturgies" and not just neutral "methods."
Without us realizing it, the dominant practices of performance train us
to relate to music (and musicians) in a certain way: as something for
our pleasure, as entertainment, as a largely passive experience. The
function and goal of music in these "secular liturgies" is quite
different from the function and goal of music in Christian worship.
So let me offer just a few brief axioms with the hope of encouraging new reflection on the practice of "leading worship": Continue at James K. A. Smith
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