Why Hunger Games is Flawed to Its Core

Nate (N. D.) Wilson is one of my favorite writers. He has given us some excellent fiction and non-fiction books. He knows what makes a story work.

Nate was in town recently, and we had a conversation about books, beauty, and bestsellers. Naturally, we talked about The Hunger Games. His take on it was too good to keep to myself, so I asked if I could share it here.

Why Hunger Games is Flawed to Its Core
N.D. Wilson

Almost everywhere I go, I’m asked about The Hunger Games (book, not film). The questions used to fly about Twilight and Potter, but Katniss and dystopic death-matches have taken over.

First, I completely understand why The Hunger Games took off. Suzanne Collins knows how to suck readers into a page-turning frenzy. The pace of the book grabs like gorilla glue and the kill-or-be-killed tension keeps fingernails nibbled short. She knows her craft, and I have to say that I’m grateful to her for expanding our mutual marketplace (in the same way that Rowling did). That said, Collins stumbles badly in her understanding of some pretty fundamental elements of human story, and the whole thing is flawed to its core as a result.

The best authors are students of humanity, both as individuals and grouped in societies (big and small).   Continue at Trevin Wax